IN THE ROUND, Unit London, UK til April 23,2022

Unit London is excited to present its first group exhibition dedicated solely to visual art in three dimensions. In The Round places the mediums of sculpture and ceramics at centre stage, drawing on a vast global and cross-cultural history. Human beings have crafted sculptural objects for many millennia, and these objects have come to slip between practical, domestic, religious, cultural and artistic definitions. The exhibition aims to showcase these diverse sculptural mediums, which have perhaps played a secondary role to works on canvas in the contemporary artworld.

In The Round decisively brings sculpture to the fore, championing the physicality of the medium and demonstrating its continuing pertinence for modern audiences. In this sense, In The Round celebrates the fluidity of sculpture and ceramics. The exhibition questions the rigidity of past canonical sculptural parameters by emphasising the freedom of process and material that three-dimensions can allow. In The Round strives to chart the flexibility of sculptural materials that can metamorphose from something tactile and malleable into something durable and solid, while still maintaining a sense of movement and mutability.

SYNONYMES D’OBJETS, ELEVEN STEENS, BRUSSELS, BELGIUM, til April 10, 2022

Dans le cadre de l’exposition “Matières premières”, le Centre d’art contemporain ELEVEN STEENS invite BeCraft a occuper le troisième plateau pour y exposer ses artistes membres.

 

Les courants passent, évoluent. Toujours, les artistes s’imprègnent de ce qui a été. Ils reformulent, regardent autrement, proposent un “ce qui semble” mais qui n’est plus – ou qui est, différent. Ils repensent, recyclent, détournent, ennoblissent.

C’est là toute la puissance des Arts appliqués contemporains. Baignés dans les – lointaines – racines du fonctionnel, les artistes s’en libèrent ou s’en inspirent pour parfaire le monde, le questionner, le défier. Par la diversité de matières, de techniques, et le riche héritage des métiers d’Arts, c’est un univers vaste et en constante évolution qui s’offre au regard de tous.

Les artistes membres de BeCraft, issus de la Fédération Wallonie-Bruxelles, démontrent ici des savoir-faire contemporains dans les domaines de la céramique, du verre, du textile, du bijou, du papier, jusqu’aux matériaux non-conventionnels.

Abstraites, organiques, subtiles, leurs œuvres exposées détournent pour mieux voir, réinventent pour mieux penser. 

 

Ils exposent : 

Myriam A. Goulet, Mylène Auquière, Studio Biskt, Aurore de Heusch, Chantal Delporte, Dolorès Gossye, Anne Goy, La Gadoue, Laure Kasiers, Machteld Lambeets, Anne Marie Laureys, Claire Lavendhomme, Jean-Claude Legrand, Myriam Louyest, Antonino Spoto, Nelly Van Oost et Clémentine Vaultier

 

DISTORTED DUETS, USINE KUGLER, GENEVA, CH, October 7>17, 2021

Distorted Duets showcased the work of five contemporary photographers alongside sculptural works by Taste Contemporary gallery artists.

Since its establishment in 2012, Taste Contemporary has championed ceramic and glass art. In this exhibition, presented at the industrial setting of Fonderie Kugler, we introduced audiences familiar with each genre to the possibilities that exist within the others. 

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PRIVATE COLLECTION SELECTED BY #3 HANS VANDEKERCKHOVE, TATJANA PIETERS GALLERY GHENT, BELGIUM til August 29, 2021

Tatjana Pieters Gallery Ghent, Belgium 

Private Collection Selected by #3 / Hans Vandekerckhove selects from the collection of Paul & Marie-Rose Declercq – Benoot from June 18 – August 28, 2021

Closing Drink Saturday, August 28, 2-6 pm.

Interested in the process of collecting as a reflection/expression of the owner’s identity, we are pleased to present the third edition of ‘Private Collection Selected By’, a collaboration where gallery artist, Hans Vandekerckhove, selects works from a collection of which he is also a part to bring it into an ensemble with available works of its own. This time we invited Hans Vandekerckhove (BE, 1957) to select works from the collection of Paul & Marie-Rose Declercq- Benoot, which focus on historical as well as emerging and contemporary Belgian art.
Gallery view.

THIS IS THE SOUND OF C, Curator Kris Campo, CC ZWANEBERG, HEIST O/D BERG, BELGIUM til May 30, 2021

Curator Kris Campo has a reputation for making idiosyncratic choices and surprising combinations. In ‘This is the sound of C’, she brings together the work of eight contemporary artists from Belgium and abroad, averse to any ‘pigeonholing’. She combines figurative sculptures with whirling ceramic pottery and textile and painting in expressive scenes. In doing so, she indicates that the conventional classification of art forms on the basis of discipline or material is of little importance. What counts is the expression and the impact of the sculptures created by the artist.

Participating artists: Johannes Nagel, Anne Marie Laureys, Babs Haenen, Clémence van Lunen, Coline Rosoux, Klaas Rommelaere, Michel Gouéry and Robin Vermeersch.

INFO: CC ZWANEBERG 

 

SHAPES FROM OUT OF NOWHERE, MET, Metropolitan Museum of Art, New York, USA, til August 29, 2021

 

 

Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection celebrates an extraordinary gift of 125 modern and contemporary ceramics from Robert A. Ellison Jr., made to The Met in honor of the Museum’s 150th anniversary. The exhibition will present a selection of over 75 works from this unparalleled collection that charts the evolution of abstraction in clay from the second half of the twentieth century through the present. Info: MET, NY

Book launch & Exhibition

Published on the occasion of an exhibition highlighting a recent transformative gift of 125 works from the New York City-based collector Robert Ellison to the Metropolitan Museum of Art, beautifully presents this deeply personal pursuit and is a fitting coda to his commitment to sharing these works with the public.
Info August Editions

DESIGN MIAMI with Jason Jacques Gallery NY, USA, November 27-December 6, 2020

Design Miami 2020 Jason Jacques gallery :

We are happy to announce that we’ll be participating in the 16th edition of Design Miami/. This year we will be bringing a selection of works by each of our contemporary artists, designers, and craftsmen.

This year, the fair is moving back to it’s historic location in the Miami Design District’s historic Moore Building, accented by Zaha Hadid’s monumental interior installation, Elastika. Design Miami/ is the global forum for design, each year bringing together the most influential collectors, gallerists, designers, curators, and critics from around the world in celebration of design, culture, and commerce. Occurring alongside Art Basel in Miami, USA each December and Basel, Switzerland each June, the Design Miami/ fairs have become the premier venue for collecting, exhibiting, discussing, and creating collectible design.

Both the fair coordinators and staff are working together to ensure a safe environment for collectors, visitors, critics, exhibitiors, and members of the press. If you plan to attend and would like us to hold a pass for you at will-call, please email info@jasonjacques.com.

It is important to note that this year the fair has moved from the Convention Center to the Moore building in Miami’s Historic Design District.

THE 16TH EDITION OF DESIGN MIAMI/ WILL BE HELD IN THE MIAMI DESIGN DISTRICT’S HISTORIC ZAHA HADID ELASTIKA MOORE BUILDING.

 

25 YEAR Carla Koch Gallery, Amsterdam, The Netherlands til end 2020

Welcome at Gallery Carla Koch
Veemkade 500 (6th floor)
building Detroit
1019 HE Amsterdam
tel.0642397440
by appointment: phone31 (0)642397440 or via e-mail ckoch@xs4all.nl.

Jubilee Exhibition Carla Koch Gallery 25 YEAR:
“From the 1st of August 20 artists, with whom I have been working for years, will show new work.
The exhibition will continue until the end of the year 2020
Due to covid regulations you will only be able to visit the exhibition by appointment.
These appointments can be made for all days of the week.
See you at the Veemkade 500 in Amsterdam”

Dutch ceramic and glass galleries have a remarkably long lifespan.
Gallery De Witte Voet opened its doors 40 years ago…
In April 2020 gallery Carla Koch celebrates its 25th anniversary. After a flying start on the Prinsengracht, the gallery moved to the banks of the IJ in 2007, where Carla Koch organises sparkling exhibitions in building Detroit.
What makes this gallery special? And how does she react to the decline in gallery visits?

Gallery Carla Koch has a unique specialism: ceramic and glass objects that usually refer to the container form, but at the same time liberate themselves from their function. They thus move in the interesting no man’s land between visual art and design. The gallery shows different mentalities and presents conceptual as well as architectural and narrative work.

A second asset is the international orientation. This requires extra effort and greater investment, but enriches the range on offer! For years now, gallery Carla Koch has presented leading Asian, Canadian and European ceramists, including Kayoko Hoshino, Yikyung Kim, Les Manning and Bodil Manz.
A relative newcomer is the Belgian ceramicist Anne Marie Laureys. Because new talent is actively followed.

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HONEY ME BY ARTECETERA IN THE VENUE OF ATELIER LACHAERT DHANIS, BELGIUM,04/07>31/08/2020

HONEY ME,
a cross-disciplinary exhibition
in a symbiosis of art and well-being
from 04.07.2020 till 31.08.2020
every Saturday, Sunday, Monday, Tuesday, between 11am and 7pm
visitors entry: via Kaaistraat car park B-9140 Tielrode
The admission is free; but a small gift would be a grand gesture for the non-profit organisation artecetera in this bizarre period.

Around honey as the golden-yellow, tongue-caressing ‘sweetener’,
About apiculture and Anthophilia, freely translated into ‘flower worshipper’,
Along the miraculous, ingenious honeycomb, which is both nursery and storage; 
To the fragility of existence and the worrying bee mortality.
An expo full of wonder with fascinating artworks and groundbreaking objects and jewellery balancing between contemporary cross-over art and craft.

Alissa Volchkova – Anna Heindl – Anne Marie Laureys Ceramics – Antonino Spoto – atelier lachaert dhanis – Bram Vanderbeke – Christina Schou Christensen – Daniel Kruger – Frans Ottink – Franziska Krieck – Giampaolo Babetto – Jinhyun Jeon – Lucia Massei – Marjorie Romeijn – Mathieu Frossard – Max Gielis – Morten Klitgaard – Nadja Zerunian – Nikolay Sardamov – Unfold – Sarah Pschorn – Thalia Georgoulis – apiculturist Thierry Vermeire.

HONEY ME is an exhibition organised by artecetera*, supported by and hosted in the venue of atelier lachaert dhanis.
!You are safe there, because we care! 

 

WERKTEKST HONEY ME AMLAUREYSCERAMICS 

Een oud Duits spreekwoord: Wie gods wonderen wil gadeslaan, moet naar de bijen gaan.

De symbolische kracht van de honingbij is een constante in de geschiedenis van de mensheid.

De bij geeft aanleiding tot religieuze riten, bijgeloof en verhalen over wonderen.

Het wezen van de bij is raadselachtig.

De fascinatie voor het leven van de bijen blijft een poging de benauwende grenzen van de realiteit te doorbreken. De bijen bewegen zich vrij in de lucht, zijn toch gebonden aan de aarde, hun veelvuldigheid (de planten, bloemen) heeft een duidelijk doel (de korf, de honing).

Dit illustreert de vrijheid in gebondenheid: tegelijkertijd zichzelf zijn en een maatschappelijk wezen blijven.